On the Other Side
of Harlem, we dined in Havana for a night.
The adults sipped mojitos, drowning in mint and lime.
We watched ice float into a yellow chandelier.
I licked passion fruit juice off my lips,
the sticky sweetness stuck in my swallow, the steaming
ropa vieja simmering on the silver plate,
my teeth tearing the tender flesh
while practicing Crayola penmanship on white cloth.
Empty glasses littered the table.
Waiting in line for the bathroom, my aunt laughed
with a businessman. I never saw her
that way before. Unseen beneath my feet,
the subway rumbled. She pulled her chair back,
wringing out her wet hands and then I teased her
for reaching twenty-seven and never knowing love.
She brushed me away:
At least I’ve never known heartbreak.
My aunt has now swapped
New York for San Francisco. Her loopy handwriting spells out:
“West Coast, Best Coast!” with a smiley face in blue ink.
I keep her letters in my denim pocket.
In DuPont Circle I watch
two girls from a Degas painting dance
on a fountain’s edge. They ebb and flow
like two egrets, heart-shaped necks twisting together.
They kiss and kiss long after the sun has retired to bed.
Love-drunk moonlight stumbles onto silk dresses.
Perching on a wooden bench, I pull out her latest letter,
still in its crisp cream envelope. Skimming a nail under the seal,
I unfold the card cluttered with constellations.
Scrawled in tiny script at the bottom, I find two
Sharpied words:
I’m gay.
Between us: a rich, midnight black curtain,
velvety and soft. Our own private planetary orbits,
milky-way and twilight-specked galaxies lined up infinitely.
And then her letter, a sheaf of paper
as thin as Pluto’s atmosphere, raised the thick,
impenetrable curtain.
It hangs above us in the thin air.
I see you, on the other side.
Exposed. Approaching center stage
My right hand rises.
I see you, on the other side.
Raise your hand too.
And our palms connect
in a second stretched
into eternity, locking eyes.
Your’s freckled with fear,
mine pin-pricked with truth:
I see you.